Franz Grabner Award Nomination
In "GET RID OF IT - The Art of Disposal" by Karin Berghammer, the philosopher and artist Elisabeth von Samsonow goes to the places where the excreta of our society are collected, moved, sorted and, with luck, also given a new purpose. She observes, sniffs and describes, and lets us share in her reflections, which are as profound as they are humorous, and with which she repeatedly encourages us to rethink the familiar.
We are thrilled that our film GET RID OF IT – The Art of Disposal für den Franz-Grabner-Preis 2023 in der Kategorie ‘Bester Fernseh-Dokumentarfilm’ nominiert ist!
“Prämiert wird ein im ethischen und moralischen Sinne verantwortungsvoller und glaubwürdiger Umgang
by filmmakers to their medium".
As part of this year's Diagonale, the Franz Grabner Award for Humanistic Documentary Filmmaking in Television and Cinema, established in 2017, will be awarded for the sixth time. The award in memory of the ORF journalist and long-time director of the ORF TV cultural programme Franz Grabner (1955-2015) - initiated by the Grabner family, AAFP, Film Austria, ORF and the Styrian Film Festival - honours filmmakers for their ethically and morally responsible and credible approach to the medium. (APA)
The Award Ceremony for the Franz Grabner Prizes 2023 will take place on Thursday, 23 March, in Graz.
If you missed the film or would like to see it again, you can rent or buy it as a VOD here:
(currently the Film is available only in German OV)
A big THANK YOU goes to our great team and to all protagonists and supporters!
Director Karin Berghammer | Buch & Produktionsleitung Barbara Eppensteiner | DOP Krisztina Kerekes | Ton, Tonschnitt & Sounddesign Gerd Jochum | Sound recording Vienna Teresa Schwind | Editor Julia Eder | Consulting Editor Cordula Werner, aea | Music Christof Dienz | Sound Mixing Christofer Frank | Color Grading Johannes Püller | Titel & Graphik Ally Schober | Best Boy Oliver Hasenzagl | Produktions-& Schnittassistenz Franziska Aringer | Press office IJK presse + marketing Ines Kratzmüller
Supported by
